Continuous and Discontinuous Being

showing5.JPGfrom Georges Bataille, Death and Sensuality (1962), pp. 12-13, 17-18:

It is my intention to suggest that for us, discontinuous beings that we are, death means continuity of being. Reproduction leads to the discontinuity of beings, but brings into play their continuity; that is to say, it is intimately linked with death. I shall endeavor to show, by discussing reproduction and death, that death is to be identified with continuity, and both of these concepts are equally fascinating. This fascination is the dominant element in eroticism…The whole business of eroticism is to destroy the self-contained character of the participators as they are in their normal lives.

Stripping naked is the decisive action. Nakedness offers a contrast to self-possession, to discontinuous existence, in other words. It is a state of communication revealing a quest for a possible continuance of being beyond the confines of the self. Bodies open out into a state of continuity through secret channels that give us a feeling of obscenity. Obscenity is our name for the uneasiness which upsets the physical state associated with self-possession, with the possession of a recognized and stable individuality. Through the activity of organs in a flow of coalescence and renewal, like the ebb and flow of waves surging into one another, the self is dispossessed, and so completely that most creatures in a state of nakedness, for nakedness is symbolic of this dispossession and heralds it, will hide; particularly if the erotic act follows, consummating it. Stripping naked is seen in civilizations where the act has full significance if not as a simulacrum of the act of killing, at least as an equivalent shorn of gravity. In antiquity the destitution (or destruction) fundamental to eroticism was felt strongly and justified linking the act of love with sacrifice.

… Continuity is what we are after, but generally only if that continuity which the death of discontinuous beings can alone establish is not the victor in the long run. What we desire is to bring into a world founded on discontinuity all the continuity such a world can sustain.

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JORDAN CRANDALL:
SHOWING

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EVENTS

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PEOPLE

  • Susanna Paasonen
    on sexuality, pornography, and affect
  • Theresa Senft
    on webcamming, micro-celebrity, and performance in everyday life
  • Scott Bukatman
    on attraction, spectacle, and the cult of the amateur
  • Julie Albright
    on self-transformation, makeover, and the management of attraction
  • John Paul Ricco
    on narcissism and the space of exposure
  • Gary Dauphin
    on the "pose" as a marker of identity and social standing
  • Mimi Nguyen
    the circuits between star and fan
  • Glenn Phillips and Catherine Taft
    "Watch Me Get Watched"
  • Dylan Wilcox
    "Public Showing"