back to blog

EVENTS

None.

THENsee past events
NOWSoft Epic
Willem de Ridder

Primate Cinema Workshop: How to Act like an Animal

May 4, 2008 at 2:00 pm to 5:00 pmMay 5, 2008 at 6:00 pm to 9:00 pm

This workshop is offered through The Public School, and you can sign up for it at http://thepublicschool.org/105/how-to-act-like-an-animal/

What:
A performance workshop exploring primate communication and social organization leading to a videotaped nature documentary, part of the Primate Cinema series. Participants will watch video clips of animal behavior in the wild and in cinema, learn about primatology, and engage in physical theater techniques and improvisation.

When:
Meeting 1: Sunday May 4, 2-5 PM,
Meeting 2: Monday, May 5, 6-9 PM,
Two-four other meetings in May to be determined on May 4 meeting.
Live performance/shoot: May 24
Screening of completed video: June 11-22 at TELIC
Participants need not attend all meetings, but commitment is important.

Who:
Rachel Mayeri, artist and media studies professor, is organizing the workshop as part of her research and video production at TELIC. Deborah Forster is a cognitive scientist who has worked with primates at the San Diego Zoo, and has studied wild baboons in Kenya. Alyssa Ravenwood is a physical theater director, performer, and mask-maker. Biographies of workshop leaders are below.

How:
With video clips of wildlife documentaries and Hollywood movies, we will explore media representations of human and nonhuman primate “nature.” Forster will discuss how primates and other animals perform social organization and communication, covering a range of perspectives from behavioral ecology and sociology to cognitive science. Ravenwood will show how commedia dell’ arte and other theatrical traditions have found animals a source of inspiration for personality and movement. Performers will explore animal behavior and society through warm-ups, group exercises, and improvisational games.

Why:
Participants will expand acting and social skills by learning about animal behavior. This is a rare chance to be involved in an interdisciplinary project creating dialogue around art, science and politics. Exploring alternative social organization could lead to world peace…or at least to comedy. Participants will be festooned with food and a DVD of the completed project. And you get to act like monkeys.

Where:
TELIC Arts Exchange (Field Station Hollywood for the month of May), 975 Chung King Road, Los Angeles, CA 90012;
Map and directions

How to Participate:
Free, open to everyone, performance experience is a plus.
RSVP Rachel.Mayeri -at- gmail -dot- com if you are interested in participating and come to the first meeting.
Workshop will be videotaped and used as part of completed nature documentary.

Biographies:
Deborah Forster
Trained in behavioral ecology and cognitive science at UCSD, Forster spent many years studying wild baboons in Kenya and worked with other primates at the San Diego Zoo. She has done design-context research and organizational development consulting at Nissan Design America. She is currently teaching cognitive science to architects at Woodbury University in San Diego, and is contributing to a studio course led by Teddy Cruz at Harvard Graduate School of Design, to build housing in Nicaragua.

Alyssa Ravenwood
An award winning physical theatre director, performer and mask designer. Artistic Director of the new Los Angeles mask troupe, Ravenwood Performance Group. A graduate of the Dell’Arte School of Physical Theatre. She also studied Clowning with Sue Morrison at the Canadian Clown Institute and Commedia with Ole Brekke of The Denmark Commedia School.

Rachel Mayeri
Los Angeles-based artist working at the intersection of science and art, her videos, installations, and writing projects explore scientific representation in topics ranging from the history of special effects to the human animal. Shown at Los Angeles Filmforum, ZKM in Karlsruhe, and P.S.1/MoMA in New York, Mayeri is a guest curator of the Museum of Jurassic Technology and Associate Professor of Media Studies at Harvey Mudd College.

Willem de Ridder

April 12, 2008 at 6:00 pm

Willem de Ridder

A very special guest, Willem de Ridder, will be speaking at 6pm. His presentation will be followed by our third screening of Here is Always Somewhere Else.

Willem de Ridder has been pioneering his entire life in the arts and the media. In the beginning of the sixties he brought in Holland all the modern young composers together in the MES (Mood Engineering Society), which resulted in the very first art performances and happenings. He became chairman for Northern Europe of Fluxus, started the First European Mail Order Warehouse for Fluxus works and made with Wim T. Schippers a national television program in which Holland heard for the first time about pop art, fluxus, zero, and his own anti-art activities. In 1965 he started a national newspaper in which everybody could publish anything they wanted. It caused a revolution in medialand (like internet now). Together with friends he started Paradiso and Fantasio, two clubs in which everybody could jump on stage and do whatever they wanted. Soon there were 150 of those clubs all over the country.

Together with English media adventurers like Jim Haynes, Germaine Greer, William Levy and Heathcote Williams he started SUCK, the First European Sexpaper, the beginning of the sexual revolution. They organised also the very first sexfilm festivals in Amsterdam, with visitors from all over the world. When he discovered how reading and writing had fatal effects on our society, he stopped with the newspapers and moved to the capital city of the image culture: Hollywood. There he started making weekly radio shows without any scripts for Holland. He developed the very first audio tours, before the walkman was invented. Then he made a radioshow in which the listeners were asked to sit in their car, turn on the radio and follow his instructions. About 30.000 of them started driving in the middle of the night having an adventure they would never forget.

Together with Max Lobckovicz, Shirley and Paul Eberle he made the first magazines in America in which everybody could publish anything they wanted about their sexlife. With Queen Adrena he introduced the first erotic telephone lines. He also made the very first magazine with sound in Hollywood, and so he went on and on.

He is going to tell his entire story in TELIC Arts Exchange.
Among others about his illegal exhibition in the MOMA.

In Holland he is called the Master Story Teller so you will hang on his lips, thumb in your mouth, time vanishes and space will disappear.

Visit Willem’s website and listen to some of his podcasts for Typeradio here.

This exhibition is made possible in part with support from the Mondriaan Foundation, Amsterdam, the Consulate General of the Netherlands in New York, The Andy Warhol Foundation for the Visual Arts, and basjanader.com.

Mondriaan Foundation

“Watch Me Get Watched” and Gary Dauphin

September 29, 2007 at 7:00 pm

3pm
“Watch Me Get Watched” video art screening program, curated by Glenn Phillips and Catherine Taft, with performance by Nao Bustamante.
5pm
Screening of Hotghettomess and videos selected by Gary Dauphin
7pm
Presentation by Gary Dauphin on the “pose” as a marker of identity and social standing

“Watch Me Get Watched”, organized by Glenn Phillips and Catherine Taft, brings together multiple generations of video artists whose work straddles the exhibitionism and voyeurism inherent in videomaking. These works are driven less by their own internal logic, than by the systems of looking, behaving and watching that they construct (often leaving the audience ready to see more). With works by Ben Chase, Bianca D’Amico, Arthur Ginsberg and Video Free America, Micol Hebron, Sterling Ruby and Kirsten Stoltman, Jennifer Sullivan, John Williams, and more.

Gary Dauphin will present a visual archaeology of the web phenomenon “hotghettomess,” through the notions of slideshow, photosharing, and family portrait. He will deal with issues around the database-driven “pose” — role-play and presentation through blogs, profiles, and photosharing sites — and how it serves as a marker of culture and identity, as it circulates through various interfaces and translations. Concerned with the tensions around the public display that could threaten one’s standing in the world (increasingly an issue with instantaneous web 2.0 culture, where one’s reputation or rank is ever more precarious), he will, at the same time, probe into the “counter-visibilities” that emerge, which allow one to play WITH the presumed inappropriateness, rather than working against it. The latter can challenge our assumptions, and perhaps change the rules of the game.

Gary Dauphin is a writer, editor and interactive community builder. His current project is the Goonj Collective, an online community and publishing initiative funded by the Open Society Institute. Goonj (which means “echo” in Urdu) was founded by Dauphin, editor Michael Vazquez, copyright lawyer Achal Prabhala and Kenyan author Binyavanga Wainana to provide literary magazines based in the developing world with content-management, archiving and interactive community tools.

Previous to his work with Goonj, Dauphin held a number of positions at leading ethnic websites, including founding Director and Editor-in-Chief of AOL Black Voices, Editor-in-Chief of Africana.com and Editor-in-Chief and Site Manager of BlackPlanet.com. Over the last decade, he has also penned several hundred articles on media, race, and interactivity for venues such as The Village Voice, Bidoun, Vibe and Lacanian Ink. He also blogs under his own steam at www.ebogjonson.com.

Dauphin was born and raised in New York City to Haitian parents and studied film theory at Yale University. He currently resides in Los Angeles, CA, and his internet name is ebogjonson.

what if we all spent a portion of each day sharing our light with the world?

July 15, 2007 at 10:00 am to 8:00 pm

Michael Smoler will be setting up a healing arts center
on Sunday, July 15, from 10am - 8pm

He will be offering:

tarot readings
reiki sessions
guided meditations
aura cleansing
art therapy sessions (vision boards, craft counseling, channel drawing)

the cost is $25 per service
with discounts on multiple services offered

He will also be selling some of his own hand-made tarot-inspired collages

Tarot cards by Michael Smoler

Smoler ambience

Smoler spell

Healing Center

GRANDMA NIGHT!

June 21, 2007 at 8:00 pm to 10:00 pm

You are invited to GRANDMA NIGHT! An auction celebrating everything Grandma this Thursday at Telic Arts Exchange. Bring a family dish or dessert AND a 5 minute story about your grandmother. We will auction off the desserts after each story is told and all proceeds will go to Telic Arts Exchange. Any story is fine: impressive accomplishments, interesting migrations, heroic deeds, funny grandmas, bitter grandmas, etc.

We will then call a Real Live Grandma (inspired by the ladies of the typing explosion) and audience members can ask her for some real life advice. If you want to take it to the next level you can even come dressed as a grandma!

Doors: 8:00 pm
Dessert Grandma Auction Part One: 8:30pm
Real live Grandma advice session: 8:45pm
Dessert Grandma Auction Part Two: 9:00pm
Performances and live Grandma themed songs: 9:30 onward

Looking forward to seeing you there!!
x Anna Oxygen

dessert auction pie

dessert auction phone call

dessert auction winners

Sean Dockray - Churchillian II (Chadder)

October 23, 2004 at 6:00 pm

Installation view
George W. Bush’s 2002 State of the Union Address was described by many American pundits as “Churchillian.” Somehow, this man, whose speaking gaffes are widely known, was given credit for delivering one of the greatest speeches in modern history.

CHURCHILLIAN II (CHADDER) is an interactive sound installation that breaks this speech into its component parts and reconstructs it physically, portraying the machine behind the speech. Sean Dockray explores discarded technologies in this work to focus on the use and abuse of language in contemporary politics. His installation fills the space - visually, by a giant homemade wooden frame and, aurally, by a robotic voice run through a loud guitar amplifier.
Continue reading…

Natalie Jeremijenko - A Game Goose

September 11, 2004 at 6:00 pm

You need to upgrade or install Adobe Flash Player
Get macromedia Flash Player

An aquatic robotic goose allows you to approach and interact with actual non simulated geese in situ. These biological geese are fully unpredictable and capable of exceedingly rude, challenging and interesting behavior. You are invited to pilot the robotic goose, play with, follow, and attempt communication with the other geese. Try various goose calls and your own goose imitations for your mutual cultural enrichment. See if you can persuade the geese you are worth talking to. If you succeed in any meaningful interaction upload your interpretations.  See Video [http://xdesign.ucsd.edu/ooz/goosespeak/]

Continue reading…